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Thursday, April 26, 2012

Leahy: Musical and Familial Harmony

Erin Bannen
Marketing Intern

Leahy is impressive for a number of reasons (6 albums, international tours, numerous awards), but what gets me is that everyone in the band is related. They're siblings. If my brother, sister and I tried to start a band, my brother (who D.J.'s at the Inferno) would play Orbital on his turntables, my sister would blast Pippin, and I would frantically try to pick up an instrument because despite five years of voice lessons I still can't carry a tune. We'd try to one-up each other in a synthpop/musical theater/badly played banjo cacophony until my sister or I started crying.

What I mean to emphasize here is that not only are all eight members of Leahy able to sing, dance, and play numerous instruments flawlessly, they transcend familial dynamics to run a band (and therefore a business) that has resulted in over half a million C.D.'s sold and annual international tours. I find this astounding.

What I find even more astounding is this: every year, the band hosts a 1-week music camp where they do their best to simulate what it was like to grow up in a family of diverse and exciting musical talents. Not only is there professional dance, musical, and vocal instruction from both Leahy and the renowned musicians the band has worked with, but there is also a "'Music Room," to try new and different musical instruments, and regular jam sessions where musicians of all genres and ages play together."

What might that music room look like? Check out the video below. You'll see master fiddler Donnell Leahy challenge his fabulously talented guitarist sister to a play-off. The technical skill of these two is fantastic, but what's so endearing to watch is how playfully the two challenge one another with harder riffs, more difficult harmonies and complex key changes. This is how I imagine the Leahy Music Camp Music Room. After the technically proficient lessons, you get together, challenge, hang, and jam. Oh and stick with the film until the ending; there are some wicked dance steps you won't want to miss.





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Wednesday, April 25, 2012

Don't miss our final 11-12 Concert Series event!

by Lindsay Hanson
Concert Series Coordinator

When Peter Serkin performs at the Union Theater on Saturday May 5, he'll present his fifth recital on our stage, and his performance will also close out the Concert Series for 11-12. What a great year it has been! We're delighted to be able to celebrate the end of the season with Serkin's solo piano recital.

Serkin's program is sure to appeal to many music lovers. The first half is distinctive, due to the fact that all three pieces come from the 20th Century piano repertoire and two of them were composed especially for Mr. Serkin. They are the opening piece, Variations, Op. 24 by Oliver Knussen, written in 1989, as well as Adagio by Charles Wuorinen, written in 2011. It will be a real treat to hear these relatively new pieces performed by the person they were written for!

I'm particularly intrigued by another piece on the first half, For Away, by Toru Takemitsu, written in 1973 for pianist Roger Woodward. The piece was inspired by the rhythmic complexities of Balinese Gamelan, which the composer heard in 1972 during a trip to Bali. You may hear those rhythmic similarities in the first moments of the two videos posted below, the first of the ensemble Gamelan Cudamani, and the second of Serkin performing Takemitsu's For Away.



The recital closes with the monumental work by Beethoven, Thirty-three Variations on a Waltz by Anton Diabelli, op. 120. According to this Chicago Tribune review of Serkin's recital on February 3rd of this year, it ought to be stunning. The reviewer called Serkin's recital "a vital occasion," making "the majority of other recitals seem like surface display and easy entertainment."

Wow! After reading that review, I can't wait for Serkin's concert here in my own town! Be sure to contact the box office today for great seats while they are still available, and join us as we close out the 11-12 season with a bang.
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Tuesday, April 10, 2012

Was It Really a Love Triangle? Brahms and the Schumanns

Shawn Werner
WUD Performing Arts Committee Director

One of the most mysterious events in classical music history centers around a love triangle of sorts. The story goes that once composer Johannes Brahms moved in with his friend Robert Schumann and Schumann's wife Clara, a passion grew between Brahms and Clara (14 years his senior). People say that the love triangle between the two friends and Clara became an influential factor in Brahms' writing (see Robert and Clara below left and Brahms below right).

There's much speculation over this, though. Brahms' feelings about love and the opposite sex, for that matter, is peculiar: "I would as soon write an opera as marry" he once wrote. He never did either (despite writing over 200 lieder).

Robert Schumann died a helpless death. Events leading up to his death include, but are not limited to, attempted suicide (which landed him in a mental sanatorium), mental illness, and syphilis. Brahms entered into the Schumanns' lives at a critical point in time. It was like a transition of sorts: Johannes shows up on their doorstep when he's 20, Robert slowly climbs into the loony bin, Clara is left at home with Johannes while Robert does his thing at the mental sanatorium, Johannes essentially becomes the head of the household, Robert dies and Johannes moves in an apartment above Robert's and Clara's home where he gives up his art to devote his time to Clara.

All of that is in a nutshell what essentially happened. 

Yet, if there really was a romantic connection between Clara and Johannes, then why didn't anything ever come out of it? I mean, yes, he did move into the upstairs apartment, but maybe he did so because he was naturally a really selfless guy and felt he owed something to Clara and the Schumann family in general. What caused Johannes' passion? Why would he put himself in a situation that would ultimately set up him up for disappointment? Surely he knew he'd be miserable knowing Clara was missing her dead husband--right?

 This sounds like an awesome romantic movie plot. And in fact, the situation of Brahms and the Schumanns are just illuminations of what was very common in the classical music world in the 1800s-1900s--Beethoven wrote a letter to his "Immortal Beloved" of which included three sections addressed to some woman for whom Beethoven clearly had feelings, and yet, he never sent the letter--another mystery in classical music history, Chopin had an affair of which nothing came to fruition, Schubert intended to marry a young soprano but couldn't because he financially support a marriage, Mahler was in love with his wife, Alma, but she didn't love him back necessarily, and the list goes on.

On Wednesday, May 2, pianist Jeffrey Siegel will be at Mills Halls exploring the music of Clara, Robert, and Johannes in one of his signature Keyboard Conversations. While Siegel will be playing the beautiful music of these composers, I don't know if he can solve the question of the love triangle. That one, we'll just have to ponder for ourselves.
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Concert Series: Peter Serkin and Announcing the 2012-13 Series

by Lindsay Hanson
Concert Series Coordinator

What a great year for classical music at the Wisconsin Union Theater! If you've missed our previous season events, be sure to come on saturday, May 5 at 7:30 to hear Peter Serkin play a piano recital on our stage. It'll be your last change to attend the Concert Series in the Union Theater before we reopen in 2014-15! Serkin returns to the Union Theater 43 years after his Madison debut, performing a recital of works by Knussen, Takemitsu, Wuorinen and Beethoven. We are very excited to host him on our stage for the fifth time.

Although we won't be in the theater next year, we have an exciting 2012-13 Concert Series awaiting you. The upcoming series is full of young, emerging artists, some familiar faces and some new ones. All artists on next year's series have agreed to present outreach events, including master classes and Q&A sessions, as part of each of their visits to Madison! More details on those events will be made available in the coming months.

Due to the Union Theater's upcoming renovation, all events in next year's Concert Series will take place in Mills Hall at the UW School of Music. We are deeply fortunate to have this collaboration with the staff and students at the School of Music in order to make these events possible.

Imani Winds
Friday, September 28, 2012 | 8pm | Mills Hall
America's premier, Grammy-nominated wind quintet. Imani Winds programs traditional repertoire while also bridging European, American, African and Latin American traditions.




Joshua Roman, cello, with UW Symphony Orchestra
Saturday, November 10, 2012 | 8pm | Mills Hall
Appearing in Madison with the UW Symphony Orchestra, this "Classical Rock Star" spent two seasons as principal cello with the Seattle Symphony before embarking on his solo career. He was named a 2011 TED Fellow.



The Knights with Wu Man, pipa
Saturday, February 9, 2013 | 8pm | Mills Hall
Internationally renowned pipa virtuoso Wu Man joins forces with New York chamber orchestra The Knights, to present a program of Western and Eastern classical traditions. The program works of Stravinsky, Debussy and Milhaud, as well as two pieces for pipa and orchestra by Lou Harrison and Wu Man.




Watch We Are The Knights Preview on PBS. See more from THIRTEEN Specials.


Jeremy Denk, piano
Thursday, April 11, 2013 | 8pm | Mills Hall
Described by The New York Times as "bracing, effortlessly virtuosic, and utterly joyous," pianist Jeremy Denk returns to Madison to present a solo recital.




I hope to see you next year at these great events! Look in your mailbox soon for Early Bird Subscribers ticket information, with prices as low as $75 (General Public) and $63 (Discount Groups) for the entire series. Single tickets will be available at $25 (General Public), $21 (Union Members, UW Fac/Staff) and as always, $10 for UW Madison Students. Pin It

2012 Neale-Silva Young Artists Competition

by Lindsay Hanson
Concert Series Coordinator

What an exciting year for classical music at the Wisconsin Union Theater! If you missed our previous events, be sure to come on Sunday, April 29 at 12:30pm for the 2012 Neale-Silva Young Artists Competition finalists' recital. This FREE event features winners of the aforementioned competition, young musicians between the ages of 17 and 26, who are either Wisconsin residents or attend colleges or universities in Wisconsin.

The competition was established to recognize young performers of classical music who demonstrate an exceptionally high level of artistry. The recital is made possible by a grant from the estate of the late UW-Madison professor Eduardo Neale-Silva, a classical music enthusiast and avid Wisconsin Public Radio listener.

The 2012 winners include cellist Chris Peck from UW-Madison, hornist Austin Larson from Neenah, vocalist Rachel Holmes from Madison, pianist Cameron John Pieper from Lawrence University, and a woodwind quintet - Kelsey Burk, Jake Fisher, Kinsey Fournier, Samuel Golter, and Emma Richart - also from Lawrence University.

This is the fifth year that the Wisconsin Union Theater has hosted the recital, each year broadcast live on the NPR News and Classical Music Network of Wisconsin Public Radio. So if you can't join us, please listen in at home!

One of the selections that the woodwind quintet will be performing is from the Woodwind Quintet by Elliott Carter. As a concert preview, please take a listen to the Imani Winds' version below (Imani Winds are visiting the theater next season), and then join us on April 29th to hear the younger musicians' interpretation!
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Theater Celebrations--Join us!


by Heather Good
Assistant Director for Development & Outreach


Please join us in celebrating the Wisconsin Union Theater before we close for our renovation/restoration project!

Theater Curtain Down Open House Saturday, May 12, 2:00-6:00 pm
FREE!
Get a tour of the space, see archival materials & information about the renovation project on display, put on a costume, dance on the stage, see Bucky Badger, and sign our Green Room door! This is a party that the whole family can enjoy. Cash bar in the outer lobby.


Theater Gala Thursday, May 31, 6:30-10:00 pm
In honor of 73 years of history, tickets are $73 per attendee.
Mark Guthier, Union Director, and Ralph Russo, Union Theater Director, are co-hosting this special evening celebrating 73 years of history at the Wisconsin Union Theater. Enjoy lively conversation, commemorative cocktails, a signature program featuring local performers from Four Seasons Theatre, and a behind-the-curtain look at our historic space. Together, we'll reflect on the Theater's storied history and raise a toast to what's to come. To request a formal invitation, click here, or visit the Union Theater website to purchase tickets on-line. Pin It

Season Subscription Round-up

by Heather Good
Assistant Director for Development & Outreach

Subscription order forms are going to hit the mailboxes soon. When you place your order for tickets, you have the option of rounding up with a voluntary contribution. You can choose to support the Theater Season or the Madison World Music Festival.

Your contribution to the Theater Season helps us keep tickets affordable and accessible for UW-Madison Students. Your contribution to the Madison World Music Festival helps us keep this annual signature event free, fabulous, and open to all.

Whether you round up by $5.00 or $50.00 or $500.00, your donation makes a difference and is greatly appreciated! Pin It

Leahy: Classifying the Canadian Powerhouse

by Elana Siegel
Marketing and Communications Intern

The only easily classifiable part of Leahy, a Canadian act coming to the theater on May 4, is that the eight members are all brothers and sisters raised in Lakefield, Ontario, Canada. I can't tell you what each member's role is, because they all step dance and play multiple instruments. I can't tell you exactly what genre they use, because their style is a unique blend of Scottish, Irish, French-Canadian and Cape Brenton styles. Even more unclassifiable is their act. They mix step dancing,


impressive traditional fiddling,

and novelty acts,

and sometimes they put them all together into one number:




I can't classify the group, but I think that its blend of genres, styles, and acts makes the show exciting and fun. I can tell you that it is an impressive and energetic mix, grounded in the talents of one family.
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Continuing the Legend of Fela and Seun Kuti

Below is a re-print of intern Alexis Brown's article about the fascinating lives of Fela and Seun Kuti. Seun will be carrying on his father's legacy this Thursday night in the theater at 8pm. Join us to continue the amazing legend of Fela and Seun.


The Legendary Kutis: Fela and Seun


Few have lived lives as illustrious as Fela Kuti. As the Herald Sun put it, “Imagine Che Guevara and Bob Marley rolled into one person and you get a sense of Nigerian musician and activist Fela Kuti.”  To say the least, his life was marked by enormous musical success and political turmoil, the likes of which I frankly think might give both Che and Bob a run for their money.

He began his life in a Nigerian middle class family, but after eschewing medical school to study music at Trinity College of Music, he embarked on what would begin an entirely new genre of music. In 1967, he moved to Ghana, where he formed the band the Nigeria ’70 and first began calling his music “Afrobeat.” In Ghana, Fela discovered the Black Panther movement. 

The band played in LA for a bit (before being kicked out for not having work visas), then moved back to Nigeria, and the themes of their songs shifted from love to politics—and here’s where Fela’s trouble with the Nigerian government started. He formed a commune, the Kalakuta Republic, and from there began recording politically charged anthems. These included “Zombie,” which greatly criticized the Nigerian military. He also engaged in polygamy, and went as far as to declare his commune separate from the rest of Nigeria. His album, also entitled Zombie, became a smash hit, which infuriated the government and set off a vicious attack against the Kalakuta commune. One thousand soldiers attacked the commune, and Fela was beaten to within an inch of his life—while his elderly mother was fatally thrown from a window.

Has your jaw dropped yet? Mine certainly did. And somehow, it gets crazier. Fela sent his mother’s coffin to the General’s home residence, and violent riots broke out when Fela next performed “Zombie.”  After the concert  riots, Fela was banned from performing in Ghana, and most his band soon abandoned him after rumors that he was using the proceeds to finance a bid to be president. The rumors may have been true, because Fela announced his desire for candidacy in 1979 (after starting his own political party), though his candidacy was eventually refused.

In the 80s, Fela renamed his band Egypt 80, and they continued to release music and made a successful tour in the US. In 1984, Muhammadu Buhari's government, of which Kuti was a vocal opponent, jailed him on a charge of currency smuggling, a charge that Amnesty International would soon claim was politically motivated. His cause was taken up by several human rights groups, and after 20 months, he was finally released. After this, and continuing into the 1990s, Fela’s output of music sadly began to slow, though his mark on the Nigerian and world music scene was now indelible. In 1997, he died of an AIDS-related disease.

This is where Fela Kuti’s story ends, and the story of his son Seun begins. Seun, the youngest son of the legendary musician, also demonstrated an enormous talent for music, and when he was 14, he chose to pursue this path over soccer, in which he was equally talented. Members of the original Egypt 80, many of whom were harassed and arrested along with him, now play with Seun. As politically active as his father (if less polygamous), Seun has been hailed by Sandra Izadore in The Atlantic as “Nigeria’s only hope.”

Seun is now travelling all over the globe, continuing his father’s legacy of political activism and superb Afrobeat music with many musicians and dancers on stage. And finally, audiences all over the world are hearing some of their favorite songs performed—after Fela recorded a song, he refused to play it again, and so for many fans, this will be their first live experience of their favorites. On April 12 at 8 pm, the legend continues at the Wisconsin Union Theater, and the performance promises to be an unforgettable one.

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Anna Vogelzang To Open For Sara Bareilles

by Elana Siegel
Marketing and Communications Intern

We are excited to announce that Madison resident and soulful folk-pop singer/songwriter Anna Vogelzang will be opening for Sara Bareilles at her Wisconsin Union Theater concert on Saturday, April 21, 8pm.

Ben Evans, of Fogged Clarity and contributor for the Huffington Post, describes Vogelzang as a musician with a "penchant for playfulness when it comes to her music; however, when she gets serious, few craft a better folk song." Hear an acoustic recording of three tracks from her release Paper Boats, or listen to the title song from that album below.


Vogelzang is a DIY musician. In the past four years, she has been on 13 DIY tours, and her latest album, Canary in a Coal Mine, was released independently using fan-funding. She has been fully engaged in the Madison community, even working at the Madison area Girls Rock Camp.

The Sara Bareilles concert is sold out. A few tickets may be released day of show. Check our facebook or call the box office at 608-265-ARTS (2787) for more information. Pin It